- Béla Bartók : Concerto for Orchestra; the second movement features woodwind instruments in pairs, beginning with the bassoons, and the recapitulation of their duet adds a third instrument playing a staccato counter-melody.
- Ludwig van Beethoven : Symphony 4 in B flat major, Symphony 9 in D minor, last movement
- Hector Berlioz : Symphonie Fantastique (In the fourth movement, there are several solo and tutti bassoon-featuring passages. This piece calls for four bassoons.)
- Paul Dukas : The Sorcerer's Apprentice, widely recognized as used in the movie Fantasia
- Edvard Grieg : In the Hall of the Mountain King
- Carl Orff : Carmina Burana
- Sergei Prokofiev : Peter and the Wolf (possibly the most-recognized bassoon theme, the part of the grandfather)
- Maurice Ravel : Rapsodie Espagnole (features a fast, lengthy dual cadenza at the end of the first movement), Boléro (the bassoon has a high descending solo passage near the beginning), Piano Concerto in G Major
- Nikolai Rimsky-Korsakov : Scheherazade, second movement
- Dmitri Shostakovich : several symphonies including #1, 4, 5 : 8, & 9, Symphony 5 in Eb major
- Igor Stravinsky : The Rite of Spring (opens with a famously unorthodox bassoon solo), lullaby from The Firebird
- Pyotr Ilyich Tchaikovsky : Symphony 4 in F minor, Symphony 5 in E minor, Symphony 6 in B minor
Welcome to the Bassoon Zone, your place for information, resources, links, and videos about the bassoon. Have fun exploring, and please e-mail me if you have any questions.
Wednesday, March 7, 2007
Standard Orchestral Excerpts for Bassoon
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